The Color Matrix
Following the ARRAY concept of color relationships, I have expanded Josef Albers’ two-parent relationship to a broader spectrum of color possibilities. The results are startling and a new tool for those who seek color harmony.
Color Luminosity
Here are two ways color luminosity can be achieved. This should dispel the notion that the French Impressionists achieved color luminosity by way of full chroma color application. See the truth with your own eyes.
Color is Relative
We perceive the hue and value of colors according to their surroundings. This video demonstrates just how relative color is and provides an explanation.
Color Arrays
Color relationships are seen here as ARRAYS of related hues and values. The visual phenomenon of HALATION is ever present in each and every array. This illusion of color and value gradation, explained in my earlier videos, served as a basis for much of Josef Albers work with the INTERACTION OF COLOR.
Albers’ Homage to the Square: An Explanation
A descriptive analysis of the work of Josef Albers by a former student, Dick Nelson. This is followed with Dick’s animated collection of his own color studies which incorporate Albers’ format and his principles of color interaction.