At Dick’s request, Valérie Richter shares words and images from a year-long exploration of luminosity.
Dick says, “Every artist for whom color is important must see and read this account, for it provides a guide and inspiration for us all. I am so very proud of Valérie’s mission and her support group, Karen, Holly, Craig and her classmates.”
In the sixth color residual session, the group shared their ongoing explorations of color relationships in various media. Follow-on sessions will be scheduled depending on interest, and Dick will offer art history and color relationships classes in the fall.
In this 3-minute video, Dick differentiates the true pigment primaries from traditional dogma, and demonstrates the magical variety of colors that arise when different transparencies of yellow, magenta, and cyan are gradually overlaid.
Chris brought in a photo of fruit on a reflective surface, which Dick used to point out visual cues of surface qualities. Critique: simple watercolor compositions focusing on surface Tips for painting surfaces A number of tips came out during the critique: Water and glass have two qualities in common, transparency and reflection. Use them…
Class started with Dick talking us through, and demonstrating, how he builds a painting as “a conversation,” responding to what he sees, unifying disjointed areas of color, “addressing issues” of unresolved [too raw; primary or secondary] color, and choosing what to leave and what to emphasize. He explores and experiments and asks, “What if?” because…
Critique of last week’s exercises Illusions of white and colored spotlights Watercolorists have an advantage over artists in other media when it comes to shadows. Since light affects all objects in a scene equally, you can mix a single batch of color for your shadows and apply wherever needed. Dick loves using light and shadow…
Strategies for painting films and veils, illustrated and annotated!
We started the third class with a critique of the homework assignments – layering rectangles, aiming for more nuanced and complex colors and interactions – “fine French cuisine”. [gview file=”https://dicknelsoncolor.com/wp-content/uploads/2012/11/WC-Painting-Strategies.pdf”] [gview file=”https://dicknelsoncolor.com/wp-content/uploads/2012/11/VanBoundariesWC.pdf”] [gview file=”https://dicknelsoncolor.com/wp-content/uploads/2012/11/ColorReview.pdf”]